Art and Society investigation
infraplastica@gmail.com studio contact
| Seven times Head | Grafic duo | Third Being research |
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These human being come out, built in 7 pieces or movements (1m X 0,7m each). |
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Jorge' participation to the Book Festival in Madrid. Conference presentation and round table around the infrarealist poetic movement created in Mexico 50 years ago
Show your NO
Who are we ? Who are you ?
Art resonates like an echo. Paradise is locked, (may be for renovations ?). Progress of weapons : death progresses.
>See : Our sculptures in the wood, film - realised by Jacques Laskar - 16 mn
Colors Plastic Art works from the Serge LEMOYNE exhibition OUT OF GAME, Québec QC : dialogue and echo
BLACK and WHITE
COL O R S
Tactile dialogue with GIACOMETTI
Giacometti
out of frame
Contemporary Art, arts as experimental tools for societies and environment
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| -43 Ayotzinapa - 1 World -Missing |
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| Life' Totem mars 2017. |
Square Peace N°1 | Olek's totem : earth and sky |
| -art is voracious and hungry. He feeds on concepts, contexts, subjects, techniques, materials, artists, men, women and You: The artistic I is multiple and collective. |
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contact : infraplastica@gmail.com
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| Fontainebleau FLC/MJC | Hyphen and Union Points |
| -The artwork? It emerges at the points of impact of these "happy accidents", cut, welded, in body to body with the light, that of the being above all... peeled, flayed whose form is lost.. | |
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| Maize OGM | Caricriptures | Subligraphy | Dog's life | Infrarrealism |
Live...until death. Live with the freindship energy. Live with running memories that evolve into dreams.
Stardust which is composed and released in uncertain rhythms according to inaudible stridencies. Experiencing this constant human renewal that inhabits us between the past and future. And live for all those who are no longer, disappeared, victims, near and far ... All toguether, all !
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| Death danse | Cotignac | Out of the wood | Screams | Crossing |
| - Materials are concrete concepts, multimedia bearing the marks of time. Art of contemplation reconstructed into "Already Left" pieces (or what remains of the "Ready Made"). | ||||
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